"I make drawings every day and work on new ideas. I love to see the work of others, at shows or in books. I think I always take something with me that enriches my own experience and art."
As long as I can remember I made drawings. By the time I was 4 years I knew I would be an artist even though I had no name for this. Northwest Montana in the 50's wasn't an art center. My visible art world was a mix of Western-calendar art and Italian-made statuary (made-in-Italy was the imprimater of real Catholic art). However, my milieu did respect art and the artist.
Art supplies were usually pencils, crayons and a box of Prang watercolors. My mother cut open advertising envelopes which came in a variety of colors and textures. From sawmill and carpentry jobs, my father brought home planed wood ends (an endless supply of fresh drawing surfaces) and stubs of large, soft-leaded carpenters pencils. I also made paper dolls and a variety of constructions for my many younger siblings.
Through elementary school I usually got the certificate for the best art (meaning the most accurately drawn). I took both art classes in high school, doing my first oil painting during the second. Mr. White helped sharpen by drawing skills and lent me the first art books I'd ever seen. That year I received the second largest oil painting set from the Sears catalog as my Christmas present.
At Seattle University I earned a Liberal Arts Degree, majoring in Art. Initially I focused on oil painting, but in my junior and senior year shifted to bronze casting, both lost-wax and sand casting. After graduation I continued casting, showing and selling in the Seattle area. Marriage and young children altered my life for several years. At this time I began a drafting and house design business as a subcontractor to building contractors. When I returned to art work, casting costs had skyrocketed so I chose to paint again. And I chose acrylics both for the short drying time and the ease of water clean-up. My earlier work explored traditional themes and images which recur in the history of art, fables, folk tales or images which popped into my head. These images were usually simple, the content singular, the color high. I expanded to cut paper as painting. The shapes and areas of flat color evolved and I simplified my art-thought even more. At present I am using my drafting background, working geometric shapes and line to play with pure color and design.
2005, 2004, 2003 & 2002 An annual exhibit of contemporary paintings, sculpture, and photography during Pridefest week at the "Art Pavillon"
Arts Olympia is an association of contemporary artists in Olympia, Washington. From the fall of 1991 through the spring of 1999 this group sponsored, curated and hung shows on all three floors of the Washington Performing Arts Center. I participated in all the shows during that time.
From 1991 until 2000 I exhibited with a number of Olympia WA businesses throughout the year and during Artwalks. These were usually smaller shows of 6 to 12 paintings and I showed in each place a number of times. (McKenzie Jewelers, Batdorf & Bronson, Wood & Things, Dancing Goats, Elite II, Sunlight Caf�, Hubbards Interiors, The Green Frog, Lynch Paint Supply). I had two shows with the "Art in Schools" project at McLane Elementary School.
Hosted by Mardala.